E2C2 LLC

E2C2 LLC

energy / environment strategies

E2C2 LLC RSS Feed
 
 
 
 

Archive for art

Factory in a Cloud; Part 2

Fablamp combines 3D printing with 2D laser cut acrylicIn the previous post I outlined the prospect for cloud based do it yourself (DIY) digital manufacturing. I described a test of this capability using the fabrication (fabbing) service, Ponoko, to make the parts for a lamp of my design, using laser cut acrylic sheet and 3D printed polymer. My goal for the project was not to create a production ready consumer product. Instead it was to test a process of prototyping and potential manufacturing, using remote resources. This post picks up on the fabbing process, once my design files had been submitted and accepted by Ponoko.

Delivered Goods:

I received the flat laser cut pieces (purple plastic in the photos) just a week after my order. They met my expectations, with accurate shapes and nearly smooth, polished edges. However, it took almost 3 weeks to receive the 3D printed polymer housing for the LED lamp (the white finned piece in photos). When this part arrived I was reminded that my knowledge of file preparation for fabbing leaves something to be desired. In translating the computer model’s smooth twisted surfaces of the housing “blades” for printing I had over – simplified the file, resulting in faceted rather than smooth curves. This was not my original design intent but on second consideration the faceting creates an interesting texture. The durable polymer material I had chosen has a slightly rough, but not unpleasant, texture. Since I wasn’t certain of the exact attachment point of the flat lamp leaves onto the lamp housing housing I had left the attachment holes off the laser cut pieces; opting instead to measure and drill these holes in my shop. Once drilled, the 1/4 inch holes in the leaves press – fit perfectly over the “buttons” I had cast into the lamp housing. From there, the lamp was easy to assemble and wire.

Results:

I now have a lamp prototype that cost about $250 and took 3 weeks to complete, not counting computer modeling. I could not have easily created this object using conventional methods or materials. In theory I could have hand cut and finished the leaves of the lamp on a jigsaw and drill press but this would have taken hours and the accuracy would have been nowhere near perfect. Perhaps I could have carved or molded the central lamp housing out of plaster or polymer clay but this would also have been time consuming and again, the accuracy would not have been good. So, $250 for an accurate, attractive, working prototype is pretty cheap.

Had I been more knowledgeable about computer modeling and file preparation for printing I could have achieved a more finished piece for the lamp housing. Moreover, there is a range of materials available; Ponoko offers smooth, shiny finishes in a variety of colors and materials including ceramic. So, in theory, achieving a consumer ready product is not beyond reach. I should also mention that Ponoko is not the only option for outsourced fabbing; Shapeways offers similar service.

Lessons:

What’s to be learned from this experience, over and above surmounting the technical requirements for making finished parts that exactly match your expectations.

Not Exactly Rapid Prototyping; A three week wait for a prototype is too long. Prototyping usually depends on fast iteration. I may have been able to shop around and find a quicker service but I doubt I could have found one that could have delivered a part in less than a week under $250. By comparison, Makerbot Industry’s new Replicator promises an out of the box 3D Printer for about $2000. If the print quality is near the quality of the part I ordered then about 8 more prints from a fabbing service would be the equivalent of a purchase.

Manufacturing Is a Possibility; Even with a long delivery time certain types of custom goods could be outsourced to a manufacturing platform like Ponoko. Nike’s custom shoe program promises delivery in 3 – 4weeks. A quick scan of Ponoko’s inventory of design offerings by various makers suggests that jewelry, small housewares and home furnishings are popular areas. Can one compete with IKEA or Target on housewares and furnishings; no. However, perhaps more fair comparisons are Design Within Reach and other high end purveyors of artisanal modern home furnishings sold in fairly small quantities.

Additive Manufacturing; Unlike laser cutting or CNC routing which is basically just a faster and more accurate means of cutting or carving away something that can already be done by hand or less automated machines- and these are no small feats – 3D printing allows the making of shapes and assemblies that might be otherwise difficult if not impossible to create. Complex nested geometries that mimic biological structures are possible. Now, people offer elaborate, biomorphic jewelry pieces, printed in materials including precious metals. However, before long printing of human body parts and organs is likely. For now, beyond prototyping, jewelry and luxury furnishings, additive manufacturing favors small quantity, high value parts and assemblies in the medical and aerospace industries. What other niches cry to be filled?

weatherviz video now showing

weatherviz debuts in seattle

We live in soup of streaming data. Weatherviz is an experiment to capture some of that data and make it more tangible through the medium of kinetic art. The weatherviz system has gathered radar images from very recent weather events throughout the territorial United States. It then employs these images to drive a large, kinetic sculpture.

Using the metaphor of a song, weatherviz has compressed recent selected weather events, which have occurred over several hours, into a series of short animated performances, approximately three minutes long. Commonly recorded weather parameters are represented on – screen in an animated visual display and by components in the moving sculpture: precipitation, wind, temperature and reflectance (overall storm energy). The four moving apparatus’ of the sculpture correspond to the individual weather parameters sampled from the Internet. Extending the song metaphor, the weatherviz sculpture is like a four piece band playing a series of tunes.

As visitors watch a storm event play out on the sculpture, they are challenged to figure out which apparatus/instrument represents each weather parameter. The first demonstration of weatherviz occurred July 31st in Seattle. Watch the video here http://www.youtube.com/watch?v=ixHjcsXxFNA

About the Artists:

Eric Carlson, weatherviz creator, is a cleantech consultant, architect and artist based in Washington, DC and Seattle. He has worked throughout the U.S and around the world on sustainable development programs, exhibitions and media.

Alexander Jones is a computer scientist and artist from Washington, DC. He has a particular interest in the application of artificial intelligence (AI) to embedded hardware.

Contact: Eric Carlson, AIA, LEED AP
eric@e2c2inc.com
www.e2c2inc.com
202.543.0604

weatherviz

The old line goes “Everybody complains about the weather but no one does anything about it.” We’re doing something about this state of affairs. Our art and technology project, called weatherviz, captures and makes visible a small slice of the river of meteorological data that surrounds us.  It is an automated system that downloads weather information from the Internet and uses robotics to drive a large kinetic sculpture. It also animates a constantly – changing computer visualization. The whole production will ultimately be viewable over the Internet.

weatherviz montage

using weather imagery to drive sculpture and computer animation

Weatherviz extends meteorilogical imagery seen on TV and the Internet. It takes weather data and expresses it as movement in a kinetic sculpture.  Weatherviz sculpture and media animations play back interpretations of very recent weather events from a selection of 150 locations monitored by NOAA’s National Weather Service in the territorial United States. 

Weatheviz  captures and animates four regularly sampled meteorological factors for each geographic locale;  temperature, wind, precipitation and total weather energy. NOAA weather stations span nearly half the globe: west to east, from Guam, in the Pacific, to St. Thomas, Virgin Islands; north to south, from Barrow, Alaska  to San Juan, Puerto Rico.  

Demonstrations are slated for later this Summer in Seattle and during the Fall in Washington, DC. When visitors view the outdoor weatherviz sculpture, an electronic crawl accompanying it will identify the weather station and sampling date. Figuring out which components of the sculpture and data visualization match each other for a weather event will be part of the fun and mystery of the installation.

Stay tuned for more weatherviz info as the project reaches the demonstration stage.

the cost of the hoffmeister kink

Does styling matter? The car crazed, including me, can’t have missed a styling trend of the past several years where the bottom line of the rear quarter window in a sedan, coupe, or crossover swoops upward, rather than being more or less parallel with the rest of the side window. This styling device, called a Hoffmeister kink, after its German originator, is most associated with former BMW styling chief Chris Bangle, who introduced it in some BMW models in the early 2000’s.

The Hoffmeister kink, as far as I can tell ,has no function. Instead it just adds an expressionistic flourish to the rear quarter of the vehicle, kind of like tail fins did 50 years ago. More importantly it also magnifies a blind spot in the vehicle by increasing the sheet metal and reducing the glass area. Driving a rented Nissan Murano recently, which featured a massive kink in the rear quarter and almost no rear vision, I started wondering just how many accidents occur because of this styling quirk. I don’t know if  the insurance industry has studied this. Admittedly, a passenger side mirror properly adjusted can eliminate much of the blind spot. But wouldn’t it be easier to simply glance in the rear view mirror to check for traffic without the obstruction imposed by the sheetmetal?

I have generally admired Bangle’s expressionistic approach to vehicle design but the Hoffmeister is not one of his greatest contributions. The shame is that so many other auto makers jumped on the styling bandwagon and even though BMW has pretty much dispensed with this styling touch, it lives on in Mazda, Nissan, Lexus and others, making driving on congested highways all the more difficult. I’m an advocate of good design and this is a reminder that mere styling doesn’t always make the grade.

mission

We develop and market energy efficiency strategies and technologies. We focus on the building and transportation sectors, which account for more than two thirds of the energy budget.

contents